Metadata | value |
---|---|
MBID | ba514879-a82f-477e-bb66-1c7cf00d6f8a |
title | Seven Last Words from the Cross: II. Woman, Behold Thy Son! |
artist | Polyphony, London Chamber Orchestra, James MacMillan |
release | Seven Last Words from the Cross |
track number | 2 / 10 |
track length | 5:46 |
Tonal & Rhythm | value |
---|---|
key | G major (50.0%) |
chords key | E minor |
danceability | 0.77 |
bpm | 133 |
beat count | 708 |
Voice, timbre, gender, etc. | value | probability |
---|---|---|
Voice | Voice | 83.6% |
Gender | Female | 65.0% |
Danceability | Not Danceable | 95.6% |
Tonal | Atonal | 88.9% |
Timbre | Dark | 83.8% |
ISMIR04 Rhythm | Tango | 97.5% |
Moods | value | probability |
---|---|---|
Electronic | Not Electronic | 73.6% |
Party | Not Party | 96.9% |
Aggressive | Not Aggressive | 99.5% |
Acoustic | Acoustic | 95.7% |
Happy | Not Happy | 98.1% |
Sad | Sad | 58.9% |
Relaxed | Relaxed | 96.1% |
Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 47.0% |
Genres | value | probability |
---|---|---|
GTZAN model | Jazz | 28.1% |
Electronic classification | Ambient | 87.7% |
Dortmund model | Electronic | 99.7% |
Rosamerica model | Jazz | 85.5% |