Recording "Seven Last Words from the Cross: II. Woman, Behold Thy Son!" by Polyphony, London Chamber Orchestra, James MacMillan
| Metadata | value |
|---|---|
| MBID | ba514879-a82f-477e-bb66-1c7cf00d6f8a |
| title | Seven Last Words from the Cross: II. Woman, Behold Thy Son! |
| artist | Polyphony, London Chamber Orchestra, James MacMillan |
| release | Seven Last Words from the Cross |
| track number | 2 / 10 |
| track length | 5:46 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | G major (50.0%) |
| chords key | E minor |
| danceability | 0.77 |
| bpm | 133 |
| beat count | 708 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 83.6% |
| Gender | Female | 65.0% |
| Danceability | Not Danceable | 95.6% |
| Tonal | Atonal | 88.9% |
| Timbre | Dark | 83.8% |
| ISMIR04 Rhythm | Tango | 97.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 73.6% |
| Party | Not Party | 96.9% |
| Aggressive | Not Aggressive | 99.5% |
| Acoustic | Acoustic | 95.7% |
| Happy | Not Happy | 98.1% |
| Sad | Sad | 58.9% |
| Relaxed | Relaxed | 96.1% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 47.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 28.1% |
| Electronic classification | Ambient | 87.7% |
| Dortmund model | Electronic | 99.7% |
| Rosamerica model | Jazz | 85.5% |
