| Metadata | value |
|---|---|
| MBID | ba5cd36f-fec5-40a4-84e4-f609bdd2354a |
| title | Kantate, BWV 17 „Wer Dank opfert, der preiset mich“: Teil II, V. Aria (Tenore) „Welch Übermaß der Güte“ |
| artist | Bach‐Collegium Stuttgart, Helmuth Rilling |
| release | Die Bach Kantate, Volume 17: BWV 10, 130, 17 |
| track number | 18 / 20 |
| track length | 3:36 |
| Tonal & Rhythm | value |
|---|---|
| key | D major (89.0%) |
| chords key | D major |
| danceability | 0.98 |
| bpm | 148 |
| beat count | 532 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 83.6% |
| Gender | Female | 73.0% |
| Danceability | Not Danceable | 94.1% |
| Tonal | Tonal | 96.5% |
| Timbre | Bright | 100.0% |
| ISMIR04 Rhythm | Viennesewaltz | 53.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 98.2% |
| Party | Not Party | 98.1% |
| Aggressive | Not Aggressive | 95.3% |
| Acoustic | Acoustic | 93.1% |
| Happy | Happy | 60.0% |
| Sad | Sad | 80.3% |
| Relaxed | Relaxed | 60.8% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 47.8% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 94.5% |
| Dortmund model | Electronic | 83.4% |
| Rosamerica model | Classical | 83.3% |