| Metadata | value |
|---|---|
| MBID | bf2d228d-85cc-4c38-975f-ff2e91f8deff |
| title | Improv: The Law of Maximum Distress, Part One |
| artist | King Crimson |
| release | The Great Deceiver |
| track number | 8 / 12 |
| track length | 6:31 |
| Tonal & Rhythm | value |
|---|---|
| key | F minor (35.0%) |
| chords key | F minor |
| danceability | 1.03 |
| bpm | 123 |
| beat count | 819 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 98.3% |
| Gender | Female | 96.4% |
| Danceability | Not Danceable | 56.7% |
| Tonal | Atonal | 99.1% |
| Timbre | Dark | 99.9% |
| ISMIR04 Rhythm | Tango | 92.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 75.0% |
| Party | Not Party | 72.7% |
| Aggressive | Not Aggressive | 86.5% |
| Acoustic | Not Acoustic | 87.6% |
| Happy | Not Happy | 96.5% |
| Sad | Not Sad | 62.1% |
| Relaxed | Relaxed | 95.2% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 58.2% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Pop | 34.0% |
| Electronic classification | Ambient | 58.3% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Rhythm And Blues | 33.3% |