Recording "Come What May (alternate take 7)" by Elvis Presley
| Metadata | value |
|---|---|
| MBID | d4d3fd9c-fff2-42b3-a1bf-8371a1df36e2 |
| title | Come What May (alternate take 7) |
| artist | Elvis Presley |
| release | From Nashville to Memphis: The Essential 60’s Masters |
| track number | 12 / 26 |
| track length | 1:59 |
← Submission #4 out of 5 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | G major (83.0%) |
| chords key | G major |
| danceability | 1.1 |
| bpm | 178 |
| beat count | 332 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 99.8% |
| Gender | Male | 82.2% |
| Danceability | Danceable | 51.0% |
| Tonal | Tonal | 94.9% |
| Timbre | Bright | 99.7% |
| ISMIR04 Rhythm | Viennesewaltz | 47.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 80.8% |
| Party | Party | 52.1% |
| Aggressive | Not Aggressive | 98.0% |
| Acoustic | Not Acoustic | 58.5% |
| Happy | Happy | 53.7% |
| Sad | Not Sad | 78.8% |
| Relaxed | Not Relaxed | 89.7% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 32.4% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Trance | 53.3% |
| Dortmund model | Electronic | 32.6% |
| Rosamerica model | Rock | 35.4% |
