| Metadata | value |
|---|---|
| MBID | d563e0db-5fee-4ac3-a8db-34fa5c67a673 |
| title | Paying the Cost to Be the Boss |
| artist | B.B. King, The Robert Cray Band, Jimmie Vaughan & Hubert Sumlin |
| release | Crossroads Revisited: Selections From the Crossroads Guitar Festivals |
| track number | 3 / 14 |
| track length | 4:01 |
| Tonal & Rhythm | value |
|---|---|
| key | A# major (62.0%) |
| chords key | A# major |
| danceability | 1.12 |
| bpm | 135 |
| beat count | 1100 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 53.4% |
| Gender | Male | 88.9% |
| Danceability | Not Danceable | 75.9% |
| Tonal | Atonal | 79.5% |
| Timbre | Bright | 79.8% |
| ISMIR04 Rhythm | Viennesewaltz | 54.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 59.7% |
| Party | Not Party | 75.5% |
| Aggressive | Not Aggressive | 76.7% |
| Acoustic | Not Acoustic | 57.8% |
| Happy | Not Happy | 82.0% |
| Sad | Not Sad | 64.5% |
| Relaxed | Relaxed | 70.2% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 58.5% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.2% |
| Electronic classification | Ambient | 52.1% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 37.5% |