| Metadata | value |
|---|---|
| MBID | d563e0db-5fee-4ac3-a8db-34fa5c67a673 |
| title | Paying the Cost to Be the Boss |
| artist | B.B. King, The Robert Cray Band, Jimmie Vaughan & Hubert Sumlin |
| release | Crossroads Revisited: Selections From the Crossroads Guitar Festivals |
| track number | 3 / 14 |
| track length | 4:01 |
| Tonal & Rhythm | value |
|---|---|
| key | A# major (76.0%) |
| chords key | A# major |
| danceability | 1.19 |
| bpm | 135 |
| beat count | 546 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 83.0% |
| Gender | Male | 98.2% |
| Danceability | Danceable | 77.5% |
| Tonal | Atonal | 53.5% |
| Timbre | Bright | 97.8% |
| ISMIR04 Rhythm | Viennesewaltz | 35.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 73.2% |
| Party | Not Party | 67.2% |
| Aggressive | Not Aggressive | 74.9% |
| Acoustic | Not Acoustic | 61.4% |
| Happy | Not Happy | 74.7% |
| Sad | Not Sad | 68.4% |
| Relaxed | Not Relaxed | 67.7% |
| Mirex method | Humorous, Silly, Campy, Quirky, Whimsical, Witty, Wry | 29.9% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 47.9% |
| Dortmund model | Electronic | 99.1% |
| Rosamerica model | Hiphop | 22.3% |