Metadata | value |
---|---|
MBID | daac403d-60b7-4c8c-945e-5fb8cf273402 |
title | Kantate, BWV 123 „Liebster Immanuel, Herzog der Frommen“: V. Aria (Bass) „Laß, o Welt, mich aus Verachtung“ |
artist | Bach‐Collegium Stuttgart, Helmuth Rilling |
release | Die Bach-Kantate, Volume 21: BWV 65, 123, 154, 124 |
track number | 12 / 27 |
track length | 6:10 |
Tonal & Rhythm | value |
---|---|
key | D major (79.0%) |
chords key | D major |
danceability | 1.01 |
bpm | 153 |
beat count | 922 |
Voice, timbre, gender, etc. | value | probability |
---|---|---|
Voice | Instrumental | 97.0% |
Gender | Female | 56.8% |
Danceability | Not Danceable | 81.8% |
Tonal | Tonal | 98.2% |
Timbre | Bright | 99.2% |
ISMIR04 Rhythm | Viennesewaltz | 84.3% |
Moods | value | probability |
---|---|---|
Electronic | Not Electronic | 91.4% |
Party | Not Party | 97.6% |
Aggressive | Not Aggressive | 89.0% |
Acoustic | Acoustic | 91.8% |
Happy | Not Happy | 75.1% |
Sad | Not Sad | 55.5% |
Relaxed | Relaxed | 75.0% |
Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 51.0% |
Genres | value | probability |
---|---|---|
GTZAN model | Jazz | 31.4% |
Electronic classification | Ambient | 76.6% |
Dortmund model | Electronic | 100.0% |
Rosamerica model | Jazz | 28.8% |