Recording "Suite From "Church Bells in Bogota": Mission: Impossible '88 End Credit" by John Davis
| Metadata | value |
|---|---|
| MBID | dbc74b35-d3d3-4f21-b1fa-60157f986355 |
| title | Suite From "Church Bells in Bogota": Mission: Impossible '88 End Credit |
| artist | John Davis |
| release | The Best of Mission: Impossible: Then and Now |
| track number | 32 / 34 |
| track length | 00:37 |
← Submission #3 out of 4 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (62.0%) |
| chords key | C major |
| danceability | 1.21 |
| bpm | 90 |
| beat count | 54 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 77.5% |
| Gender | Male | 87.1% |
| Danceability | Danceable | 67.6% |
| Tonal | Atonal | 98.7% |
| Timbre | Dark | 69.4% |
| ISMIR04 Rhythm | Samba | 68.8% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 99.2% |
| Party | Party | 99.5% |
| Aggressive | Aggressive | 71.8% |
| Acoustic | Not Acoustic | 100.0% |
| Happy | Happy | 100.0% |
| Sad | Not Sad | 92.0% |
| Relaxed | Relaxed | 80.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 60.1% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 30.9% |
| Electronic classification | Drum And Bass | 44.0% |
| Dortmund model | Rock | 29.2% |
| Rosamerica model | Pop | 53.7% |
