Recording "We’ve Come Too Far to Turn Around" by Charles Lloyd & Lucinda Williams
| Metadata | value |
|---|---|
| MBID | dfb50ab7-d42b-4afd-bbbf-51c44f1650ee |
| title | We’ve Come Too Far to Turn Around |
| artist | Charles Lloyd & Lucinda Williams |
| release | Vanished Gardens |
| track number | 6 / 10 |
| track length | 6:30 |
Submission #1 out of 38 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | G major (81.0%) |
| chords key | G major |
| danceability | 1.03 |
| bpm | 95 |
| beat count | 714 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 96.0% |
| Gender | Female | 63.3% |
| Danceability | Not Danceable | 87.8% |
| Tonal | Atonal | 89.6% |
| Timbre | Bright | 93.5% |
| ISMIR04 Rhythm | Tango | 94.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 88.5% |
| Party | Not Party | 95.0% |
| Aggressive | Not Aggressive | 99.7% |
| Acoustic | Acoustic | 95.1% |
| Happy | Not Happy | 86.3% |
| Sad | Sad | 56.4% |
| Relaxed | Relaxed | 95.8% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 39.2% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 85.2% |
| Dortmund model | Electronic | 99.8% |
| Rosamerica model | Rhythm And Blues | 32.3% |
