Recording "Entry of the Crims" by King Crimson
| Metadata | value |
|---|---|
| MBID | e0e45807-f9e6-44d0-b734-11776829fa4d |
| title | Entry of the Crims |
| artist | King Crimson |
| release | Absent Lovers: Live in Montreal 1984 |
| track number | 1 / 9 |
| track length | 6:26 |
Submission #1 out of 18 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | B minor (46.0%) |
| chords key | G major |
| danceability | 0.97 |
| bpm | 120 |
| beat count | 749 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 99.7% |
| Gender | Female | 67.2% |
| Danceability | Not Danceable | 92.8% |
| Tonal | Atonal | 100.0% |
| Timbre | Dark | 94.2% |
| ISMIR04 Rhythm | Tango | 99.2% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 54.7% |
| Party | Not Party | 89.1% |
| Aggressive | Not Aggressive | 69.4% |
| Acoustic | Not Acoustic | 93.8% |
| Happy | Not Happy | 70.1% |
| Sad | Not Sad | 59.3% |
| Relaxed | Relaxed | 84.0% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 36.4% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 26.3% |
| Electronic classification | Ambient | 95.1% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 75.2% |
