| Metadata | value |
|---|---|
| MBID | e51dde7c-32aa-4ae9-8f75-9cd0a0f9e693 |
| title | Left Behind |
| artist | Slipknot |
| release | Antennas to Hell: The Best of Slipknot |
| track number | 9 / 17 |
| track length | 3:22 |
| Tonal & Rhythm | value |
|---|---|
| key | B minor (67.0%) |
| chords key | G major |
| danceability | 1.23 |
| bpm | 164 |
| beat count | 551 |
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 99.9% |
| Gender | Male | 53.9% |
| Danceability | Not Danceable | 100.0% |
| Tonal | Tonal | 59.0% |
| Timbre | Dark | 97.3% |
| ISMIR04 Rhythm | Viennesewaltz | 26.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 80.1% |
| Party | Party | 81.0% |
| Aggressive | Aggressive | 100.0% |
| Acoustic | Not Acoustic | 100.0% |
| Happy | Not Happy | 84.9% |
| Sad | Not Sad | 91.2% |
| Relaxed | Not Relaxed | 99.0% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 78.7% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Trance | 91.8% |
| Dortmund model | Electronic | 93.6% |
| Rosamerica model | Rock | 99.1% |