Recording "Lulu: Act II, Scene I. "Gott sei Dank, daß wir endlich zuhause sind"" by Orchester der Wiener Staatsoper, Karl Böhm
| Metadata | value |
|---|---|
| MBID | e8119c0e-413b-47f0-96b7-66dff45606da |
| title | Lulu: Act II, Scene I. "Gott sei Dank, daß wir endlich zuhause sind" |
| artist | Orchester der Wiener Staatsoper, Karl Böhm |
| release | Lulu (Vienna State Opera 1968) |
| track number | 3 / 15 |
| track length | 4:58 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D# minor (41.0%) |
| chords key | D minor |
| danceability | 0.97 |
| bpm | 144 |
| beat count | 600 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 76.7% |
| Gender | Female | 93.3% |
| Danceability | Not Danceable | 95.7% |
| Tonal | Atonal | 85.4% |
| Timbre | Dark | 53.1% |
| ISMIR04 Rhythm | Tango | 93.5% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 73.5% |
| Party | Not Party | 98.8% |
| Aggressive | Not Aggressive | 75.6% |
| Acoustic | Acoustic | 98.8% |
| Happy | Not Happy | 84.7% |
| Sad | Sad | 58.7% |
| Relaxed | Relaxed | 57.6% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 53.5% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 97.4% |
| Dortmund model | Electronic | 99.2% |
| Rosamerica model | Classical | 63.2% |
