Recording "L’assedio di Calais: Act II. “Suon tremendo”" by Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado
| Metadata | value |
|---|---|
| MBID | eebb31aa-00af-4175-8922-f797e75fb677 |
| title | L’assedio di Calais: Act II. “Suon tremendo” |
| artist | Elīna Garanča, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado |
| release | Bel canto |
| track number | 19 / 20 |
| track length | 1:13 |
Submission #1 out of 2 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D minor (66.0%) |
| chords key | A# major |
| danceability | 0.95 |
| bpm | 154 |
| beat count | 179 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 56.2% |
| Gender | Male | 56.6% |
| Danceability | Not Danceable | 85.4% |
| Tonal | Tonal | 53.5% |
| Timbre | Bright | 91.2% |
| ISMIR04 Rhythm | Viennesewaltz | 67.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 86.9% |
| Party | Not Party | 96.2% |
| Aggressive | Not Aggressive | 78.4% |
| Acoustic | Acoustic | 74.2% |
| Happy | Happy | 82.8% |
| Sad | Sad | 61.0% |
| Relaxed | Relaxed | 91.9% |
| Mirex method | Rollicking, Cheerful, Fun, Sweet, Amiable/Good Natured | 33.7% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.2% |
| Electronic classification | Ambient | 95.1% |
| Dortmund model | Blues | 54.9% |
| Rosamerica model | Classical | 81.8% |
