Recording "Aida: Atto I, scena 2. Gran scena della consacrazione “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)" by Esther Casas, Chorus of the Royal Opera House, Covent Garden, Nicolaï Ghiaurov, New Philharmonia Orchestra, Riccardo Muti
| Metadata | value |
|---|---|
| MBID | eefeb0d1-bdf3-4137-b3d2-3de2598cc867 |
| title | Aida: Atto I, scena 2. Gran scena della consacrazione “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) |
| artist | Esther Casas, Chorus of the Royal Opera House, Covent Garden, Nicolaï Ghiaurov, New Philharmonia Orchestra, Riccardo Muti |
| release | Aida |
| track number | 9 / 11 |
| track length | 3:26 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | G# minor (60.0%) |
| chords key | G# major |
| danceability | 0.85 |
| bpm | 141 |
| beat count | 408 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 100.0% |
| Gender | Female | 62.2% |
| Danceability | Not Danceable | 100% |
| Tonal | Tonal | 98.4% |
| Timbre | Dark | 88.2% |
| ISMIR04 Rhythm | Rumba-American | 86.2% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 97.9% |
| Party | Not Party | 100.0% |
| Aggressive | Not Aggressive | 100% |
| Acoustic | Not Acoustic | 90.4% |
| Happy | Not Happy | 87.2% |
| Sad | Sad | 78.5% |
| Relaxed | Relaxed | 80.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 62.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 30.9% |
| Electronic classification | Ambient | 98.9% |
| Dortmund model | Electronic | 96.4% |
| Rosamerica model | Jazz | 87.9% |
