Recording "Lulu: II. Akt, Erste Szene. (Leere Bühne. Gräfin Geschwitz öffnet vorsichtig die Mitteltür) »Gott sei dank, daß wir endlich zuhause sind« (Schigolch, Rodrigo, Gymnasiast, Lulu) / (Canon): »Er hat sie nämlich ursprünglich heiraten wollen« (Rodrigo, Schigolch, Gymnasiast, Lulu) / »Hast oben abgeschlossen?« (Schigolch, Lulu, Rodrigo, Kammerdiener, Gymnasiast)" by Toni Blankenheim, Gerd Nienstedt, Helmut Pampuch, Hanna Schwarz, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez
Submission #1 out of 2 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | B minor (28.000000000000004%) |
| chords key | A# minor |
| danceability | 0.99 |
| bpm | 164 |
| beat count | 695 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 85.4% |
| Gender | Female | 85.2% |
| Danceability | Not Danceable | 97.7% |
| Tonal | Atonal | 63.9% |
| Timbre | Dark | 93.6% |
| ISMIR04 Rhythm | Viennesewaltz | 85.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 53.5% |
| Party | Not Party | 99.3% |
| Aggressive | Not Aggressive | 85.4% |
| Acoustic | Acoustic | 99.0% |
| Happy | Not Happy | 82.1% |
| Sad | Sad | 55.9% |
| Relaxed | Relaxed | 96.4% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 36.9% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 69.6% |
| Electronic classification | Ambient | 91.2% |
| Dortmund model | Electronic | 99.9% |
| Rosamerica model | Classical | 82.1% |
