Recording "Aida: Atto I, scena 2. Finale I "Nume, custode e vindice" (Ramfis, Rademès, Sacerdoti, Sacerdotesse, Sacerdotessa)" by Esther Casas, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Nicolaï Ghiaurov, New Philharmonia Orchestra, Riccardo Muti
| Metadata | value |
|---|---|
| MBID | f72c598e-41de-452f-b269-ec43c1513110 |
| title | Aida: Atto I, scena 2. Finale I "Nume, custode e vindice" (Ramfis, Rademès, Sacerdoti, Sacerdotesse, Sacerdotessa) |
| artist | Esther Casas, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Nicolaï Ghiaurov, New Philharmonia Orchestra, Riccardo Muti |
| release | Aida |
| track number | 11 / 11 |
| track length | 4:15 |
Submission #1 out of 1
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | D# major (75.0%) |
| chords key | D# major |
| danceability | 0.76 |
| bpm | 140 |
| beat count | 551 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 56.7% |
| Gender | Female | 62.2% |
| Danceability | Not Danceable | 100% |
| Tonal | Atonal | 99.6% |
| Timbre | Dark | 77.7% |
| ISMIR04 Rhythm | Rumba-American | 55.1% |
| Moods | value | probability |
|---|---|---|
| Electronic | Electronic | 97.9% |
| Party | Not Party | 100.0% |
| Aggressive | Not Aggressive | 100% |
| Acoustic | Not Acoustic | 90.4% |
| Happy | Not Happy | 80.4% |
| Sad | Sad | 61.3% |
| Relaxed | Relaxed | 80.9% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 62.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Blues | 16.8% |
| Electronic classification | Ambient | 97.9% |
| Dortmund model | Electronic | 99.7% |
| Rosamerica model | Jazz | 67.8% |
