Recording "Matthäus‐Passion, BWV 244: Zweiter Teil. 33. „Und wiewohl viel falsche Zeugen herzutraten“ (Evangelista, Testis I & II, Pontifex)" by Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe
| Metadata | value |
|---|---|
| MBID | f7336e77-1f26-4959-b7fa-455cd7230e1d |
| title | Matthäus‐Passion, BWV 244: Zweiter Teil. 33. „Und wiewohl viel falsche Zeugen herzutraten“ (Evangelista, Testis I & II, Pontifex) |
| artist | Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe |
| release | Matthäus‐Passion |
| track number | 4 / 23 |
| track length | 1:08 |
Submission #1 out of 5 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | F# minor (61.0%) |
| chords key | E major |
| danceability | 0.91 |
| bpm | 172 |
| beat count | 184 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 67.1% |
| Gender | Female | 87.1% |
| Danceability | Not Danceable | 92.8% |
| Tonal | Tonal | 75.6% |
| Timbre | Dark | 90.9% |
| ISMIR04 Rhythm | Viennesewaltz | 36.1% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 81.2% |
| Party | Not Party | 99.1% |
| Aggressive | Not Aggressive | 99.7% |
| Acoustic | Acoustic | 97.4% |
| Happy | Not Happy | 98.5% |
| Sad | Sad | 72.3% |
| Relaxed | Relaxed | 64.2% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 34.6% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 57.7% |
| Electronic classification | Ambient | 90.5% |
| Dortmund model | Blues | 58.0% |
| Rosamerica model | Jazz | 69.2% |
