Recording "Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet"" by Taverner Choir, Taverner Players, Andrew Parrott, The Taverner Consort & Players
| Metadata | value |
|---|---|
| MBID | feb1e9b7-f5f3-4cc2-a9b8-b963fbcaff74 |
| title | Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet" |
| artist | Taverner Choir, Taverner Players, Andrew Parrott, The Taverner Consort & Players |
| release | Easter Oratorio BWV 249, Cantata "Christ lag in Todes Banden" BWV 4 |
| track number | 11 / 19 |
| track length | 5:10 |
Submission #1 out of 7 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C# major (85.0%) |
| chords key | C# major |
| danceability | 0.95 |
| bpm | 165 |
| beat count | 860 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Instrumental | 67.5% |
| Gender | Male | 50.9% |
| Danceability | Not Danceable | 91.9% |
| Tonal | Tonal | 51.2% |
| Timbre | Bright | 72.9% |
| ISMIR04 Rhythm | Viennesewaltz | 99.7% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 55.5% |
| Party | Not Party | 93.0% |
| Aggressive | Not Aggressive | 99.1% |
| Acoustic | Acoustic | 68.3% |
| Happy | Happy | 97.6% |
| Sad | Not Sad | 57.3% |
| Relaxed | Relaxed | 80.6% |
| Mirex method | Aggressive, Fiery, Tense/Anxious, Intense, Volatile, Visceral | 41.0% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 34.2% |
| Electronic classification | Ambient | 71.1% |
| Dortmund model | Electronic | 100.0% |
| Rosamerica model | Classical | 65.6% |
