Recording "The Best Is Yet to Come" by Tony Bennett
| Metadata | value |
|---|---|
| MBID | 9df3d531-4569-4143-a456-8b561f3a4e71 |
| title | The Best Is Yet to Come |
| artist | Tony Bennett |
| release | I Left My Heart in San Francisco |
| track number | B6 / 12 |
| track length | 2:29 |
← Submission #11 out of 70 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | A minor (53.0%) |
| chords key | E minor |
| danceability | 1.16 |
| bpm | 121 |
| beat count | 313 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 76.4% |
| Gender | Male | 55.6% |
| Danceability | Not Danceable | 71.8% |
| Tonal | Atonal | 80.8% |
| Timbre | Bright | 87.4% |
| ISMIR04 Rhythm | Tango | 71.0% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 86.8% |
| Party | Not Party | 65.4% |
| Aggressive | Not Aggressive | 98.3% |
| Acoustic | Acoustic | 70.2% |
| Happy | Not Happy | 72.8% |
| Sad | Sad | 51.4% |
| Relaxed | Not Relaxed | 87.0% |
| Mirex method | Humorous, Silly, Campy, Quirky, Whimsical, Witty, Wry | 29.1% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.4% |
| Electronic classification | Ambient | 92.3% |
| Dortmund model | Blues | 58.9% |
| Rosamerica model | Jazz | 90.4% |
