Recording "The Best Is Yet to Come" by Tony Bennett
| Metadata | value |
|---|---|
| MBID | 9df3d531-4569-4143-a456-8b561f3a4e71 |
| title | The Best Is Yet to Come |
| artist | Tony Bennett |
| release | I Left My Heart in San Francisco |
| track number | B6 / 12 |
| track length | 2:29 |
← Submission #12 out of 70 →
Low-level information Summary
| Tonal & Rhythm | value |
|---|---|
| key | C major (60.0%) |
| chords key | G# minor |
| danceability | 1.19 |
| bpm | 120 |
| beat count | 302 |
High-level information
| Voice, timbre, gender, etc. | value | probability |
|---|---|---|
| Voice | Voice | 86.6% |
| Gender | Male | 82.5% |
| Danceability | Danceable | 55.6% |
| Tonal | Tonal | 52.6% |
| Timbre | Bright | 91.3% |
| ISMIR04 Rhythm | Tango | 80.3% |
| Moods | value | probability |
|---|---|---|
| Electronic | Not Electronic | 86.3% |
| Party | Not Party | 80.0% |
| Aggressive | Not Aggressive | 98.4% |
| Acoustic | Acoustic | 88.6% |
| Happy | Not Happy | 68.2% |
| Sad | Sad | 75.7% |
| Relaxed | Relaxed | 52.9% |
| Mirex method | Literate, Poignant, Wistful, Bittersweet, Autumnal, Brooding | 30.4% |
| Genres | value | probability |
|---|---|---|
| GTZAN model | Jazz | 31.1% |
| Electronic classification | Ambient | 91.1% |
| Dortmund model | Blues | 39.6% |
| Rosamerica model | Jazz | 87.7% |
